The Cortauld’s Impressionism Show Is a Victim of Corporate Curating

It seems that the philanthropic funds that enable shows like this are at the expense of art historical depth and integrity, perhaps even curators’ jobs.

The Cortauld’s Impressionism Show Is a Victim of Corporate Curating
It seems that the philanthropic funds that enable shows like this are at the expense of art historical depth and integrity, perhaps even curators’ jobs.